Testimonials

"I found John Tafoya's Maracastix to be outstanding. The maraca sound projects amazingly well, and the mallet head produces excellent articulation with a nice timpani tone."
Mitchell Peters, Los Angeles Philharmonic


"The Maracastix work beautifully; an excellent blend of a quality timpani sound and a quality maraca sound."
Duncan Patton, The Metropolitan Opera Orchestra


"Finally....I feel that I have found maraca sticks that give maximum results for the effect that they were intended. John's mallets offer a well balanced attack regarding tone and maraca sound without one cutting through at the expense of the other. No doubt about it, John's idea is a true gift for the occassion!"
Mike Crusoe, Seattle Symphony


"These sticks are just what I've been looking for. They cut through so well and there is no worry of them exploding. These are the answer for all the Bernstein pieces. Way to go!"
Dean Borghesani, Milwaukee Symphony Orchestra


"I absolutely love how your Maracastix give me back the full stick length needed to get around the drums so comfortably on "the lick!" for West Side Story. Additionally, the sound projects right through the orchestra beautifully; even with everyone playing at a loud dynamic. I must also report that colleagues, not only from my section but from all over the orchestra, have commented favorably on the sticks -- saying they both sound and look great!!"
George Brown, Utah Symphony Orchestra


"The maraca sound is nicely balanced with the sound of the drum and, in addition, they actually speak when you play them as maracas (in the air). Thanks for your fine workmanship. I can't wait until you think of another cool stick design!"
Bill Congdon, Charlotte Symphony Orchestra and Greensboro Symphony Orchestra

WHO IS PLAYING MARACASTIX?